Walter Crane
English Golden Age Illustrator, 1845-1915 English painter, illustrator, designer, writer and teacher. He showed artistic inclinations as a boy and was encouraged to draw by his father, the portrait painter and miniaturist Thomas Crane (1808-59). A series of illustrations to Tennyson's The Lady of Shalott (Cambridge, MA, Harvard U., Houghton Lib.) was shown first to Ruskin, who praised the use of colour, and then to the engraver William James Linton, to whom Crane was apprenticed in 1859. From 1859 to 1862 Crane learnt a technique of exact and economical draughtsmanship on woodblocks.
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Walter Crane Mrs.Walter Crane oil painting


Mrs.Walter Crane
1882 2' 7'' x 1' 10''(79 x 56 cm)
Painting ID::  11829 		Walter Crane
Mrs.Walter Crane
1882 2' 7'' x 1' 10''(79 x 56 cm)
   
   
     
Walter Crane The Horses of Neptune (mk19) oil painting


The Horses of Neptune (mk19)
1892 Oil on canvas,86 x 215 cm Neue Pinakothek,Munich
Painting ID::  22288 		Walter Crane
The Horses of Neptune (mk19)
1892 Oil on canvas,86 x 215 cm Neue Pinakothek,Munich
   
   
     
Walter Crane Self-Portrait oil painting


Self-Portrait
mk52 1912 Oil on canvas 91x68.5cm Uffizi,Florence
Painting ID::  27117 		Walter Crane
Self-Portrait
mk52 1912 Oil on canvas 91x68.5cm Uffizi,Florence
   
   
     
Walter Crane Diana and Endymion oil painting


Diana and Endymion
1883 Oil on canvas 55.2 x 78.1cm (21 3/4 x 30 3/4 in) McManus Galleries Dundee (mk63)
Painting ID::  28025 		Walter Crane
Diana and Endymion
1883 Oil on canvas 55.2 x 78.1cm (21 3/4 x 30 3/4 in) McManus Galleries Dundee (mk63)
   
   
     
Walter Crane The Renaissance of Venus oil painting


The Renaissance of Venus
1877 Tempera on canvas 138.4 x 184.1 cm(54 1/2 x 721/2 in) Tate Gallery London (mk63)
Painting ID::  28347 		Walter Crane
The Renaissance of Venus
1877 Tempera on canvas 138.4 x 184.1 cm(54 1/2 x 721/2 in) Tate Gallery London (mk63)
   
   
     
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     Walter Crane
     English Golden Age Illustrator, 1845-1915 English painter, illustrator, designer, writer and teacher. He showed artistic inclinations as a boy and was encouraged to draw by his father, the portrait painter and miniaturist Thomas Crane (1808-59). A series of illustrations to Tennyson's The Lady of Shalott (Cambridge, MA, Harvard U., Houghton Lib.) was shown first to Ruskin, who praised the use of colour, and then to the engraver William James Linton, to whom Crane was apprenticed in 1859. From 1859 to 1862 Crane learnt a technique of exact and economical draughtsmanship on woodblocks.

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